Spoiler! and you might consider seeing the DVD, if you haven’t already, before reading on.
The following is an article about the film documentary Catfish.
Before I could really get into writing on it, I needed to see what I could discover about validating the documentary as something factual, rather than write upon something based on a mock-up. I had read the Wikipedia entry and criticisms against its validity as based on anything factual. However, while researching, I found a site for the 20/20 tv show (transcipt from that site below body of this article.)
The story behind Catfish was revealed on the show and this site contains video footage of interviews of some of the key people involved, namely Yaniv (Nev, pronounced ‘neev’) Schulman, a 24yo photographer living in New York City, and Angela Wesselman, a 40yo married woman in Michigan and the instigator of the controversy that is Catfish.
So how did Nev, his brother, a filmmaker Ariel (Rel) Schulman and their friend Henry Joost come about making a documentary that concerns something that any social network user may pause to consider: is that new online friend really who they say they are?
- especially when it appears they might be ‘too good to be true’, one would think.
My own opinion on the validity of the documentary is that it is a film that has been created by the filmmakers in terms of a story, it’s a beautifully and poignantly edited work – and one that may appear to suspend credibility for how nicely it pieces together. This is to the credit of the filmmakers and is, in itself, an entertainment while exploring the supposition of the outcome of a situation where an innocent (Nev in this case) is taken in by a manipulator.
I think what might have happened is that Nev was flattered by the attention that his photograph brought him and receiving the painting by ‘Abby’ and all the gifts, he was emotionally drawn into the world of the sender of these gifts. Rel and Henry, being filmmakers had been filming from early onset this event – of Nev receiving this peculiar attention – and decided at some point to run with the whole scenario of it. Thus were they able to manipulate the film’s making to produce the documentary to a credibility whereby the viewer is presented with elucidation to question the genuineness of who they are interracting with online. This in itself is worthwhile and the film can be described as events that are documented for one reason, amongst any other, that it poses this reasonable question.
So what is the Catfish story?
One cannot help but like Nev, he’s a bright, good-looking young man drawn into a relationship with 8yo Abby Wesselman, a prodigious child artist. Nev has had one of his photographs widely published, a photo of a pair of dancers from a dance company. Abby has sent Nev her artistic rendition of that photograph. Nev, Rel and Henry and impressed with her amazing talent. And so, for some months, Nev has friendship with Abby on Facebook, and Rel and Henry have been recording that. Abby’s mum, Angela, continues to send him paintings and prints of her daughter’s paintings. Through the relationship via Facebook, Nev connects with Abby’s contacts, including Angela and Angela’s older daughter, Abby’s step sister, 19yo Megan Faccio.
And so it begins. The romantic relationship Nev ends up having with Megan, who is apparently a veterinary technician, a really attractive multi-talented -sings, writes songs, dances and also paints – single girl. The relationship extends to phone calls and over 1,500 text messages that become sexually explicit over time. Nev is in the throws of love, and he must meet this girl that’s so intrigued him.

Left: an image constructed by Nev, superimposing a photo of Megan with him. The jpg is titled, on his Facebook site, “Someday”.
But he’s got his doubts now as he, Rel and Henry have since discovered that the sound wavs that she’s been sending Nev of her singing and songs she has apparently written for him, are actually those of someone else’s: the men have found the proof online.
Nev expresses how gullible he’s been.
“They’re complete psychopaths!” he says of Angela and Megan.
Feeling very foolish now he adds, grinning, “I’ve probably been chatting with a guy the whole time!”
Rel and Henry are, however, very interesting in continuing to film Nev’s relationship with Abby, Angela and Megan.
Rel, Henry and Nev get the opportunity to film a dance company near enough to Michigan state. They decide to visit Abby at her home at Ishpeming. Meeting Angela for the first time, she’s, naturally, nothing at all like the image she’s posted on her Facebook site of herself, except perhaps her long braided hair.
Upon meeting Nev, she behaves shyly around him, letting her braid out for her long hair to be admired, and Nev’s friends suggest to Nev that Angela’s actually “in love” with Nev, and has probably been the whole time.
By now, and after some more proofs, some coming from the child Abby herself. (yes, Abby admits, sh
e does sometimes paint), but it is actually Angela, who is the artist and the creator of those paintings. By now everything’s falling into place for the three men. When they try to track down “Megan’s” farm, she and her horses are not there. Angela tells her that Megan has gone into a rehab facility. But that’s just one of the many lies that Angela has cooked up, even telling Nev that she (Angela) has cancer, which she does not.
What Angela does have is a marriage to husband Vince (also not looking at all like his facebox) and Vince’s two very retarded twin sons. Angela spends her time looking after her husband, her step-sons who require intensive and constant care, and Abby. She paints prolifically. The other thing she spends time doing is fooling Nev into believing that he’s been having an love-affair with ‘Megan’. Angela does in fact have an eldest daughter, estranged and not seen in the film.
What Angela does do is pull images off the net of a real girl by the name of Aimee Gonzales, a model and photographer. She also ‘creates’ other ‘family’ members and friends of ‘Megan’s’. Angela becomes all these people interacting on Facebook with
Nev. The ruse has been an elaborate one.
Below: one of the many photos that she poached and fraudulently used to pose as ‘Megan’, the images belonging to Aimee Gonzales, model and photographer from Vancouver.
When all the truth comes out, she shows Nev the two phones she uses, one for when he converses with her Megan persona. She expresses how deeply sorry she is for fooling Nev – not that her humilation stopped her there and then and at that point.
So why is the doc
umentary film called “Catfish”?
From the words of Vince, Angela’s husband, recorded as he sat on his front porch and one of the final scenes of the film:
“They used to tank cod from Alaska all the way to China. They’d keep them in vats in the ship. By the time the codfish reached China, the flesh was mush and tasteless. So this guy came up with the idea that if you put these cods in these big vats, put some catfish in with ‘em, and the catfish will keep the cod agile.
And there are those people who are catfish in life and they keep you on your toes. They keep you guessing, they keep you thinking, they keep you fresh.
And, uh, I thank God for the catfish, because we’d be droll, boring and dull if we didn’t have someone nipping at our fin.”
So, what do you think of what Vince says? Do you think what he says has merit, that if we didn’t have catfish encounters, would we be “dull” and “mushy”?
And is the pain and humilation experienced with these catfish worth enduring, just for the life experience?
In hindsight, everything, hey…?
One wouldn’t want too many catfish in life. They would wear you out. However, I think that after one has had such an experience, it could not be easily forgotten and would serve to remind of that question – just how well do you know, or how easily might you accept, that person for who they say they are – or who they try to sell themselves as. And what is it that they want from me? And if they are not genuine then what self-gratification are they seeking to gain from my attention?
Anyway, Angela and Nev have a conversation before the three men leave to return home to New York:
Angela: “A lot of the personalities that came out where just fragments of myself. Fragments of things I used to be, wanted to be, never could be…
…and I don’t know most days who I am.”
She seeks Nev’s comfort in her words, but he lets her speak. Clearly Nev has compassion for Angela at her house, while nursing his own humiliation, Rel and Henry filming the exchanges. It’s only after they arrive back in New York, when Nev receives another box in which there is the pastel drawing that she drew of Nev while he sat with talking with her. In this final scene in the movie, you can tell that he’s been altered by the whole nine month experience with Angela, his personal ‘catfish’. There’s an edge of anger in his voice from the humiliation but in his face the filmmakers have shown, in that short scene, Nev has matured.
I couldn’t help but admire Nev for his bravery: the film having a lot to say and contains a timely message for those who use the internet. The film is extremely good for an indie. If you have not seen this film, I can recommend that you do and you’ll see what I mean. In this article, I’ve drawn from the main points of all that is featured in the film, but there is much more in it – the myriad of lies, reminding of the old saying “Oh what a wicked web we weave, when at first we practice to deceive.”
Yes, interestingly, Angela’s lies to Nev did not stop after Nev’s, Rel’s and Henry’s visit to Ishpeming. I had looked at Angela in some psychological profiling and thought that she could have schitzophrenia. The 20/20 online article proved that to be correct (for those interested in reading more, see that below).
Link to article from The Quietus: Fishing for the Truth: Social Networking Doc Catfish Reviewed
Link to Moviefone blog: ‘Catfish’ Creators Tell us if it’s Real or Not
Also a link to Angela Wesselman’s art (goes by the surname of Pierce here).
…………………
Transcript from 20/20 site with the feature article,
Exclusive: ‘Catfish’s’ Angela Wesselman Speaks Out
By THOMAS BERMAN, GAIL DEUTSCH and LAUREN SHER
Oct. 8, 2010
When the documentary-thriller “Catfish” opened in New York City to enthusiastic crowds, the movie’s star was at home in Ishpeming, Mich., probably doing laundry.
Angela Wesselman, whose real identity is not revealed until the end of the movie, was a troubled housewife who spent the bulk of her days caring for two severely handicapped stepsons and building an elaborate web of online deception until it all spun out of control.
In an exclusive interview with ABC News’ “20/20,” Wesselman admitted that she’s a mastermind of deception.
“A manipulator is what my husband calls me,” she said. “But yeah, I manipulate and it’s not right. … I never thought I’d become so entangled in it.”
Spoiler alert! All the twists and turns of the movie “Catfish” are revealed in this article.
Wesselman posed as an 8-year-old budding artist named Abby and a 19-year-old teenager named Megan, and lured Nev Schulman, a trusting 24-year-old New York City photographer, into a romantic relationship online.
In the film, Schulman’s world comes crashing down when he learns that Megan, the girl of his dreams with whom he’s shared the most intimate fantasies, does not exist. Megan and Abby are both characters created by Wesselman’s imagination and brought to virtual life on Facebook.
“This woman is exceptional,” said Schulman. “I’m totally fine admitting she just outsmarted me.”
How Elaborate Cyber-Charade Began
Wesselman said her problems began when she looked for feedback on her artwork online, and was met with snide and stinging critiques. However, when she posed as an 8-year-old artist named Abby, people online — namely 24-year-old photographer Nev Schulman — were kind and accepting.
An online correspondence began and the charade escalated when Wesselman created the character of Abby’s older sister.
“I really created [Megan] to make it more of an age appropriate conversation for [Schulman],” she said.
Megan became Schulman’s obsession and the core of Wesselman’s growing cast of characters. She created online profiles for at least 21 relatives and friends to round out Megan’s social circle.
“It’s not normal for just one person to be on Facebook … with just one friend,” she said of her logic. “You have to have other friends.”
Wesselman Says She Was Diagnosed as Schizophrenic
To bring these personas to life, Angela assumed all of their identities. She posted messages on Facebook in the voice of Abby, Megan, their brother and friends, switching minute by minute.
“In my mind there were days where I actually believed that Megan existed,” she said. “I immersed myself into thinking that somewhere she’s there.”
She claimed she had no problem navigating such a complex fantasy world.
“I have been diagnosed as schizophrenic,” she said. “But … I don’t think I have multiple personalities in normal life, really. I just think I have the ability to create a lot of illusions for people.”
Who Are the Real Victims?
Moviegoers and critics alike have questioned “Catfish’s” legitimacy. The New York Times’ A.O. Scott scolded the filmmakers for exploiting Wesselman for their documentary — an accusation which they and Wesselman, deny.
If anyone was led down the primrose path, it was Schulman, Wesselman said.
“When I first started interacting with them on Facebook … even though I knew it was all a lie … and all these people were fake … I was like, ‘This would make a great film. … I hope they’re filming it,’” she told “20/20.”
But her involvement in the documentary has come at a high personal price. Wesselman must live with the movie’s stigma and, perhaps worse, explain it to her family. One day, she will have to apologize to her daughter Abby for looping her into her twisted fantasy world.
“She has a hard time with it. … She gets angry about it at times,” Wesselman said. “Someday, she’s going to know how this really came down. I do worry about how it’s going to affect her for the rest of her life.”
Then, there’s Wesselman’s estranged 21-year-old daughter Megan, who served as the inspiration for the character.
“I haven’t seen her recently,” Wesselman said. “I’ve spoken to her just briefly … to let her know what was going on … and she’s not happy.”
The Real Megan: The Real Victim?
Another person with a bone to pick with Wesselman is Aimee Gonzalez, a 30-year-old photographer at Bella Divine Photography, a model and a mother of two, whose image was hijacked by Wesselman. She was floored to discover her photos had been used in Megan’s Facebook profile.
The filmmakers brought Gonzalez and her husband Andrew to New York under the guise of doing a documentary about photography, and revealed that her identity, her husband’s and even her little sister’s were stolen as part of Wesselman’s charade.
“I couldn’t believe that somebody would do that,” Gonzalez said. “[Wesselman] sent me an apology letter … and I never responded to it.”
But Wesselman said Gonzalez should be grateful for her moment in the spotlight.
“It sounds weird to say, but it’s given her an opportunity she wouldn’t have had before,” Wesselman said. “She’s doing the things that I wanted to do, the things I can’t do. I can’t go to New York, I couldn’t go to Sundance. … I can’t be that person … and she is … so I guess it’s sort of that jealousy and it’s not her fault.”
After Catfish: Putting Her Life Back Together
After the cameras stopped rolling and the truth came out, Wesselman said she continued to send Schulman e-mails attached to fake identities.
“I just couldn’t let it go,” she said, adding that she attempted suicide as a way out.
“It took months of counseling afterwards to really point out how far I had immersed myself into that … and that I couldn’t get out of it on my own,” she said. “And I had to get help to stop it.”
Now, her husband and friends monitor all of her e-mails and time online. She insists that she’s not engaged in any fake online relationships.
“It would literally kill me to do this again,” she said.
Wesselman said she’s replaced her virtual relationships with the real ones that don’t dissolve in the Ethernet.
“I’m more stable because of the boys coming and bringing light to the problems,” she said. “I’ve been able to focus more on our family … on our relationship … on making things right in the home … and to me that’s a benefit.”

















